Sarnath - Objects of Interest

(i) Chaukhandi
This is the first monument to be seen as one enters Sarnath. This mass of brickwork with an octagonal tower on top is what remains of an ancient stupa. The tower was constructed to commemorate the visit of Hamuyan, father of Akbar Khan to Sarnath in 1588 AD. This site is believed to be the place where the Buddha stopped to let the Five Ascetics see him and welcome him as he entered the Deer Park.

  
(ii) Deer Park or Isipatana
A kilometre north is the famous Migadaya or Deer Park, also called Isipatana or Seer’s Landing. Within its serene grounds are found all the sacred ancient monuments, namely:


(iii) Dhamek Stupa
This imposing stupa is cylindrical in shape, 28.5 m in basal diameter and 43.6 m tall. During the Gupta period, the lower portion was encased in stone, having beautiful carvings all round. The design consists of a broad band of Swastikas worked into different geometrical patterns, with a chiselled lotus wreath running above and below the Swastikas. While boring a shaft in the centre of the stupa in search of relics, Cunningham found remains of an earlier stupa of Mauryan bricks. It was probably the stupa raised by Asoka when he visited Sarnath. No bodily relics were found inside this stupa, but a slab with Buddha’s creed, ‘ye dhamma hetuppabhava, etc.’ in the characters of the 6th and 7th century was discovered. This appears to suggest its close association with the Buddha’s dhamma. According to an inscription of the Pala king Mahipala I (1026 AD), its original name was Dhammacakka stupa. The Archeological Survey of India used this finding to support its claim that this spot marks the site of the First Sermon. However, it is not possible to confirm this claim as two other places, namely: Dhammarajika stupa and the Gupta shrine of Pancayatana, are also believed by Burmese monks to be the site of the First Sermon. For the pilgrim, the best thing to do is to treat the whole area as the place of the First Sermon and to be mindful at all the holy shrines.

(iv) Dharmarajika Stupa
The ruins of the Dharmarajika stupa are a short distance north of the Dhamek stupa, and consists of a circular base of what remained after the wanton act of destruction by Jagat Singh. The original stupa built by King Asoka was 13.4 m in diameter but was enlarged twice during the Gupta period so that the base we see today is larger. The Dhammarajika stupa, as its name indicates, was believed to be built by Asoka to enshrine the bodily relics of the Buddha at the time of his re-distributing the relics from the seven original stupas and enshrining them in a number of other stupas at different places. However, some Burmese monks are of the opinion that the Dhammarajika stupa marks the site of the First Sermon.


(v) Mulagandhakuti (Main Shrine)
North of the Dhammarajika stupa are the ruins of the Main Shrine, site of the Mulagandhakuti or First Perfumed Chamber where the Buddha spent the first rains-retreat. According to the Dhammapada Commentary, it was donated by the rich man Nandiya and as soon as the Buddha accepted the gift, a celestial mansion arose in Tavatimsa Heaven awaiting its owner, Nandiya. The main shrine was a square building, 18.3 m on each side, with the entrance facing east. The area between the ruins of the Main Shrine and the Dharmarajika stupa is believed to be the site of the Cankama, the promenade where the Buddha did his walking meditation. This belief is supported by the discovery of the famous colossal Bodhisatta image installed at this site by Bhikkhu Bala of Mathura.


(vi) Asokan Pillar
A short distance to the west of Mulagandhakuti, under a flat roof and enclosed by railings, stands the 2 m high base of the Asokan pillar. The original pillar was 15 m high and surmounted by the famous Lion Capital which can be seen in Sarnath Museum. This pillar is believed to mark the site where the Buddha assembled the Sangha comprising sixty Arahants and exhorted them to go in different directions to spread the Teaching. On the pillar is an inscription, which says: “Let no one cause a division in the Sangha.” During Asoka’s time, bhikkhus from many sects lived in Sarnath and it is believed that he issued this Sanghabhedaka (Cause a Schism in the Order) Edict to promote harmony among the various Buddhist sects.

(vii) Sunken Shrine of Pancayatana
To the east of the Dhammarajika stupa, is a sunken shrine under a concrete platform. It is made of terra cotta bricks and modelled to resemble one of the four square temples of the Gupta period, called “pancayatana”. The site of this sunken shrine of Pancayatana is believed by some monk teachers to be the place where the Buddha preached the First Sermon to the five ascetics. Being not as well known as the four main monuments of Sarnath, it has fewer visitors. As a result, it is a quieter and more conducive place for meditation.


(viii) Mulagandhakuti Vihara
About 500m east of the Dhamek stupa stands the Mulagandhakuti Vihara, built by the Maha Bodhi Society of India in 1931 under the untiring efforts of Anagarika Dharmapala, whose mission was to make all the sacred Buddhist places in India come under the care of the Sangha. On the day of opening, the sacred relics of the Buddha unearthed in Taxila in 1913-14, were presented by the Director General of Archeology, representing the Government, to the Maha Bodhi Society. These Buddha relics were enshrined under the Preaching Buddha image and are taken out every year during Kathina for worship. The beautiful Ajanta style frescoes on both walls of the vihara were painted by a famous Japanese artist, Kosetsu Nosu. He took three years, from 1932-35, to complete the murals. A short distance outside the vihara is a newly constructed shrine with life-size images, depicting the Buddha’s First Sermon to the Five Ascetics. At present, the abbot of Mulagandhakuti Vihara is Ven. Dr. Dodangoda Rewata Thera, Deputy General Secretary of the Maha Bodhi Society of India and author of the book, “The Lotus Path”, describing the Eight Great Places of Pilgrimage.

(ix) Sarnath Archeological Museum (Closed on Fridays)
The museum houses antiquities recovered from the ruins at Deer Park during excavations from 1905 onwards. Inside the museum, numerous sculptures of the Buddha and Bodhisatta, mostly of the Gupta period (4th-5th century AD) are displayed. The four most important sculptures on display are described as follows:

• Lion Capital
On entering the main hall, one sees the most magnificent sculpture of Mauryan art – the Lion Capital, which once crowned the Asokan Pillar at Deer Park. This polished sandstone sculpture is 2.3 m tall and consists of four lions sitting back to back on a circular abacus about 0.3 m high. The abacus has four running animals, each separated by a Dhammacakka wheel on its side, namely: Bull representing the Buddha’s birth sign; Elephant representing his conception as Maya Devi dreamt that an elephant entered her womb; Horse representing the Bodhisatta’s renunciation as he left home on his horse Kanthaka; Lion representing his First Sermon. The four lions that surmount the Capital represent the roar of the Buddha in the four directions. The Lion Capital is the crest of India and the Dhammacakka Wheel is the emblem of its national flag.

• Colossal Bodhisatta Image
This colossal standing image is of red sandstone donated by the bhikkhu Bala in 81 AD during the reign of King Kaniska and represents the best tradition of Mathuran art. Behind the statue is a stone shaft, which once supported a beautifully carved umbrella. The stone umbrella can also be seen in the main hall.

• Buddha’s Life Panels
There is a sculptured panel showing the four principal events, namely: Birth, Enlightenment, First Sermon and Mahaparinibbana of the Lord Buddha. Another panel illustrates the eight events in the life of the Buddha, namely, the four principal events and the four miracles – the great miracle at Sravasti, the descent from Heaven at Sankasya, the taming of the drunken elephant Nalagiri at Rajagaha and the offering of honey to the Buddha by the monkeys at Vesali.

• Preaching Buddha Image
The seated Buddha image in Dhammacakka mudra or Preaching posture is one of the most beautiful creations of Gupta art. This famous sculpture was a gift of King Kumaragupta who ruled from 414-455 AD. The halo around the head is carved with floral designs and has two celestial figures on both upper corners. Inset at the bottom are seven figures, representing the Five Ascetics plus the Queen and her son in kneeling position, paying homage to the Dhammacakka wheel. A picture of this sculpture can be seen on the cover of Ven. K. Sri Dhammananda’s book, “The Dhammapada”.


(x) Mahabodhi Society
The credit for restoring Sarnath into a living shrine goes to Anagarika Dharmapala, founder of the Maha Bodhi Society of India. He established the Mahabodhi Society in Sarnath, which is located on the left of the Mulagandhakuti Vihara, which it oversees, in addition to the Mahabodhi schools, college, library and training school for monks and nuns. Lately the Society has constructed a hospital to cater for the poor patients around Sarnath.


(xi) Temples and Monasteries in Sarnath
There are several modern temples and monasteries for the pilgrim to visit in Sarnath, namely: the Burmese vihara, Chinese temple, Japanese temple, Korean temple, Thai temple and three Tibetan monasteries. The Burmese monastery is called the Dhammacakka Vihara and was established by Ven. Chandramani of Kushinagar. The present abbot is Ven. U Wannadhaza, a Burmese Sayadaw, who has been in Sarnath for many years. Lately, the vihara has added a new wing to accommodate pilgrims visiting Sarnath.